Autechre, Inkxpotter, Tsunoda

This weeks trio of audio artifacts gets a shot in the arm from David Toop via his recent book Haunted Weather - Music, Silence and Memory (and the CD he compiled to supplement the book). His book covers a wide range of current music, but it also delves deeper into the implications of technology on modern music and other more philosophical ideas. Well worth a read, and a listen.

Autechre starts off tonites excursion with Parhelic Triangle from the 2001 album "Confeild". The rhythmic pattern that guides us thru this piece slowly evolves (or devolves) and revolves around itself until it is barely recognizable, until it's memory is all that we have to hold on to. The title may be a pun on "parhelic circle", a luminous circle or halo parallel to the horizon at the altitude of the sun. Who can say for sure.

This weeks Inkxpotter mix reclaims "Language" warping the sounds of James Joyce reading Ulysses (circa 1929), John Cage reading from Finnegans Wake (circa 1960's) and Terence McKenna (circa 1990's) reminding us that the world is made of words. How these disjointed times are unified into a cohesive sound sculpture can only be experienced by listening multiple times with full attention.

Toshiya Tsunoda closes off this weeks installment with Bottle at Park. from the album "The Air Vibration Inside a Hollow". The sound work of Toshiya Tsunoda represents a radical rethinking of the concept of field recordings. As he explains his method: "To render the vibration of objects audible, a piezo-ceramic sensor with a weak current is used to generate pressure. The vibration transmitted inside a solid is then changed into voltage, which can be recorded". The words that stand out to me are "render the vibration of objects audible", keep this fragment in mind as this weeks show flows into your brain.